Archive for February, 2008
WIN: Jumper Digital Camera
TVNZ, New Zealand
Take the director of hit action films The Bourne Identity and Mr and Mrs Jones, add the star of one of the biggest sci-fi movie series of all time and you get one of the most anticipated blockbusters of the year, Jumper.
Hayden Christensen (Star Wars) stars as young man able to teleport himself anywhere in the world thanks to a genetic anomaly. However he isn’t the only one with the power and suddenly he becomes involved in an ancient war to wipe out “Jumpers” like him.
Oscar-nominees Jamie Bell (King Kong, Billy Elliott) and Diane Lane (Unfaithful) co-star along side Samuel L Jackson and Rachel Bilson (The OC) in this thriller from Doug Liman.
To celebrate the release of the movie in New Zealand, tvnz.co.nz and 20th Century Fox are offering you the chance to win an EXCLUSIVE limited edition Jumper Digital Camera.
There is only one camera of its kind in New Zealand and YOU could be the person to walk away with the prize.
Three runners-up will receive Jumper caps and watches, as well as double passes to see the movie. The film is released in New Zealand on February 21.
All you have to do to enter is answer a simple question and send us your details.
February 14th, 2008
A Better Finder Attributes 4.7 changes EXIF digital camera picture dates
Canach, LU Feb 13, 2008 in Software
prMac (press release), TX
[prMac.com] IMMEDIATE RELEASE
Luxembourg City, Luxembourg – February 13, 2008 – publicpace.net is pleased to announce the immediate availability of A Better Finder Attributes 4.7. The latest release allows the time and date that a JPEG photo taken with a digital camera to be changed at will. This information is stored in the “EXIF Time Date Original” meta-data tag within each JPEG photo file.
A Better Finder Attributes has long been known to post-production and digital media producers for its ability to change Finder attributes, such as file creation and modification dates.
Recent releases have brought it to a larger audience of digital photography amateurs and professionals by adding the ability to batch adjust the Exchangeable Image File (EXIF) time and date that JPEG pictures were shot to compensate for time zone errors or incorrectly set camera clocks.
A Better Finder Attributes remains priced at $14.95. Family, Business and Enterprise Licensing is available.
publicspace Website
A Better Finder Attributes
Direct Download Link
Purchase Link
Screenshot
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publicspace.net was founded by Frank Reiff in 1996 with the aim of producing affordable best-of-breed software for the Macintosh. In the past decade, our A Better Finder series of file utilities and our MacBreakZ personal ergonomic assistant have become familiar fixtures of the Macintosh community. publicspace.net is also active in the Windows software market.
February 13th, 2008
Review: Casio EX-Z77 compact digital camera
San Jose Mercury News, USA
Review: Casio EX-Z77 digital camera
Rob Klindt, Mercury News
Article Launched: 02/11/2008 01:34:44 AM PST
Designed for casual users, this pocket-size camera produces large and clean images indoors with its built-in flash and outdoors with automatic daylight settings. Particularly nice for group shots is face-detection technology that keeps main subjects in focus. Video, at 640×480 resolution, is clear with automatic white-balance and image stabilization. Audio is adequate. A YouTube capture mode records in MPEG-4 format.
Pros: Slim, lightweight sleek design with generous 2.6-inch LCD wide screen; 7.2 mega pixels; easy-to-navigate electronic menu. Easy image download into computer with included USB cable. Camera body is available in pink, silver, black or blue.
Cons: Clumsy access to battery and flash card slots; skimpy 11.4 megabyte built-in flash memory (you should buy a separate memory card); choppy 3X optical zoom, rechargeable lithium ion battery has so-so life.
Overall grade: B-
- Rob Klindt, Mercury News
February 12th, 2008
Rakon sells to camera-maker
Stuff.co.nz, New Zealand
Rakon’s GPS devices are set to find their way into millions of digital cameras after United States firm Geotate found a practical way to let photographers automatically record the location that digital photographs are taken.
This looks set to create a whole new market for NZX-listed Rakon, with which Geotate has signed a partnership.
Till now, incorporating GPS into cameras has been unpopular because GPS receivers take about 30 seconds to get a fix on their location.
“Nobody is going to say ‘Hey, hold that pose for 30 seconds while I fire up the GPS’,” says Geotate chief executive Hans Streng.
Geotate gets around the problem by capturing a fifth of a second’s worth of raw GPS data when a picture is taken. This can be used to get an accurate fix later, by connecting the camera over the Internet to a server that checks the data against a record of satellite positions.
General Imaging, the newly created camera division of US industrial giant Generic Electric, will incorporate a fingernail-sized GPS radio module made by Rakon into its top-end 10-megapixel camera, the E1050.
Taiwan’s Altek, which is one of the world’s largest makers of digital cameras, supplying various brand names, will also make GPS-enabled cameras using Geotate’s technology and Rakon’s devices.
Mr Streng says the technique is the only way that “geo-tagging” cameras will become mainstream. Separating the process of capturing GPS signals from analysing them to get a fix also minimises the drain on camera batteries.
He expects about four million cameras capable of geo-tagging photos will be sold in the next 18 months to two years.
Geotate is a wholly owned subsidiary of NXP, the former semiconductor business of Philips, which employs 37,000 staff and turned over [Euro]5 billion last year. NXP plans to spin off Geotate by the end of March but will retain a minority investment.
The company worked with Rakon to develop its technology, using Rakon’s GRM 6510 GPS device. Rakon marketing manager Justin Maloney says the modules are made in New Zealand and cost a few dollars each.
“The number of digital still cameras out there is huge,” says Mr Maloney. “We are not expecting to sell them into every one of them, but the potential market is pretty large.”
Rakon managing director Brent Robinson says Geotate’s system is a real breakthrough for the camera industry. “We are confident that, combined with our module, it will enable geo-tagging solutions to be incorporated into many cameras this year.”
Mr Maloney says there is potential for separating the capture and processing of satellite data in other consumer devices, to expand the market for GPS technology. “How wide that is, we are reserving judgment. It certainly is perfect for cameras.”
Technology website Engadget, reported Geotate’s system was the highlight of the Photo Marketing Association trade show in Las Vegas, where it was unveiled, and that Geotate later planned to use the same principle to GPS-enable items from personal computers and sneakers through to “soda bottles”.
February 11th, 2008
The death of the Polaroid
Scotsman, United Kingdom
By Marc Horne
THE digital age has claimed yet another scalp. Polaroid instant photographs entranced a generation in the 1970s as colour images magically emerged from an unpromising white square of plastic.
The technological breakthrough was endorsed over the years by luminaries as diverse as Sir Laurence Olivier, Ali McGraw and Kermit the Frog. But now, with the push of a factory button, Polaroid has consigned its iconic invention to the history books.
The American-based firm has confirmed that it has stopped making its instant film and expects supplies to run out completely in 2009. The announcement has sparked a sales run on the cult cameras with enthusiasts rushing to snap up remaining supplies.
Polaroid is closing factories in Massachusetts, Mexico and the Netherlands with the loss of more than 450 jobs and will belatedly focus on producing digital cameras, portable printers for mobile phones, TVs and DVD players.
Polaroid has already stopped making the cameras. “We are trying to reinvent Polaroid so it lives on for the next 30 to 40 years,” said Tom Beaudoin, the firm’s president and chief financial officer.
Industry analysts claim Polaroid has suffered greatly by its refusal to embrace the digital technology that has transformed photography.
Instead, executives stuck to the belief that many photographers would want to be able to hold their developed pictures in their hands rather than view them on a screen.
Global sales of traditional camera film have been dropping by around 30% per year.
“Instant film has been falling as fast if not faster,” said Ed Lee, a digital photography analyst at the research firm InfoTrends.
“At some point it was inevitable that it had to reach the point where it was going to be uneconomical to keep producing instant film.”
Polaroid, which is privately owned, has always refused to disclose financial details about its instant film business.
The announcement has already led sales of Polaroid products to rocket in the US.
“My shelves are completely empty of instant film,” said Jeff Newman, who runs Calumet Photographic in Cambridge.
“Polaroid enthusiasts are panicking and are bulk-buying all the stock that we have.”
Edward Nute who runs a photography firm in Plymouth, and still occasionally uses Polaroid films for commercial shoots, felt the technology would be missed by many of his colleagues.
He said: “There’s something exciting about peeling back a Polaroid photo and seeing the photograph develop before your eyes. I’m going to toast Polaroid for all the fond memories tonight.”
Such is the popularity of Polaroid, it has earned an enduring place in popular culture. Outkast’s 2003 global number one ‘Hey Ya!’ featured singer Andre 3000 urging people to “Shake it like a Polaroid picture”.
In 2000, the acclaimed psychological thriller Memento featured Polaroid images on its cinema poster and video and DVD covers. In the film, which was nominated for two Academy Awards, the hero suffers from serious amnesia and uses a series of Polaroid images to record information about himself and others, to help track down the man who raped and killed his wife.
Over the years Polaroid used a host of big names to promote their cameras including the legendary actors Sir Laurence Olivier and Vincent Price. Screen siren Ali McGraw made her debut in a camera advert while Kermit and the Muppets were the face of the firm in the 1980s. Its heyday was memorably invoked by Heather Graham’s character ‘Rollergirl’ in the film Boogie Nights.
In 1998 – as digital photography began to emerge – Polaroid turned to girl power and released the Spice Cam – which was covered in images of Posh, Sporty, Ginger, Scary and Baby.
Its last major attempt to connect to the internet generation came in 1999 when the firm launched the Polaroid I–Zone, which sounded hi-tech but was basically a rebranded version of their trademark non-digital camera.
Harry McCracken a Polaroid enthusiast and editor of the PC World Techlog website was shattered by the announcement. He said: “I have greeted the news with an instinctive combination of shock, grief and indignant fury.”
But McCracken said it had only been a matter of time before the instant camera went the way of the cassette Walkman, the eight-track player and the MiniDisc.
“When photography went digital in the late 1990s all cameras become instant cameras in most respects that mattered.
“Poor Polaroid became an anachronism.
“But not that long ago Polaroid was the coolest consumer-electronics company going.
“I was eight years old when the Polaroid SX70 – the first instant camera that shot a photo out of the camera with no work needed from the photographer – was released.
“What it did felt closer to magic than any other piece of personal technology I can think of.
“Polaroid in its heyday reminds me of Apple. It was a company led by a charismatic and long-serving leader that made slick, innovative, somewhat pricey gadgets.
“As well as the good memories, I’ll never forget the burning sensation when I peeled a Polaroid print apart and got chemicals on my hands.”
He added: “Polaroid lives on as a shell of its former self making high-definition TVs and DVD players. I find most uses of the once-great brand on generic technology products to be embarrassing at best. Does anyone want a Polaroid GPS unit?
“The real Polaroid’s technological innovations brought a lot of pleasure to lot of people for several decades.”
From flash gadget to obsolete icon
Polaroid was founded in the 1930s by the American inventor and entrepreneur Edwin Land. The company originally made high-tech sunglasses.
In the US in 1948 it introduced its first primitive ‘instant’ camera, which came with a pack of chemicals that allowed users to develop images outside of the camera.
The company’s 1965 Swinger camera went on to be named as one of the top 50 gadgets of the 20th century.
But it was Polaroid’s iconic SX-70, complete with a leather case, that really allowed the firm to make a breakthrough on both sides of the Atlantic in the 1970s.
The Polaroid became a must-have item for families, as well as the bohemian party set, during the most flamboyant of decades
Andy Warhol, the legendary American pop artist, was an outspoken fan of the Polaroid and used them many times in his work.
Sales also received a boost when Hollywood actor and lothario Jack Nicholson admitted publicly that he used the instant cameras to take risqué pictures of his many lovers.
Polaroid’s overall revenue from instant cameras, film and other products peaked in 1991 at nearly £1.5bn.
But the rise of digital technology dealt the company a devastating blow and it went into bankruptcy in 2001.
It was bought four years later for £213m by the Minnesota consumer products company Petters Group Worldwide.
As the company seeks to reverse its fortunes and gain a foothold in digital photography this year, Polaroid plans to sell a tiny photo printer which is slightly bigger than a deck of cards, requires no ink and prints business card-sized pictures.
Last Updated: 09 February 2008 7:36 PM
February 11th, 2008
Will camera-phones ever kill off the camera?
Sydney Morning Herald, Australia
With Kodak boasting about its 5 megapixel camera-phone chip, is it time to throw away your compact digital camera?
Remember when 3 megapixels was considered the minimum spec for a decent compact digital camera? Dinky camera phones with their VGA sensors were laughed at as novelties. Times have changed.
There are already 5 megapixel camera-phones available from the likes of Sony Ericsson, but Kodak researchers are presenting a new type of sensor technology for mobile phones at the International Sold-State Circuits Conference in San Francisco. Rather than detecting light, the new sensors aim to improve picture quality by detecting the absence of light. Sounds freaky, but Kodak reckons it produces less noise than conventional sensors.
I’m all for less noise in my photos, but it will be interesting to see if the result is enough to encourage serious photographers to leave their cameras at home. I doubt it.
Anyone who knows cameras knows there’s more to a good photo than pixel count. It’s more about lenses and the size of the sensor, issues that are difficult to address in a tiny device that’s already busy trying to be a phone, music player and PDA. That’s why you’re generally better off buying a digital cameras from vendors with a background in cameras (ie Canon and Nikon) than those with a background in computers. There are a few exceptions, such as Sony’s Cybershot range, but it’s generally a good rule of thumb.
Anyway, camera phones might be fine for taking happy snaps to stick on MySpace but are they up to the task of capturing those precious moments you want to print and hang on the wall? Have you abandoned your compact digital camera for your mobile phone? Is it up to the task?
Posted by Adam Turner
February 6, 2008 6:00 AM
LATEST COMMENTS
The same questions were posed when digital cameras first appeared – would they ever compete with film? I think that for most “snapshots” the camera phone is the way of the future, because most users will only want to print postcard size prints – if at all, given the increasing popularity and lowering prices of digital picture frame viewers. Small sensor quality will improve to the point where for small print sizes any differences would be insignificant.
Also there is the convenience factor – how many people will want to cram their handbag or pockets with a mobile, iPod AND a digicam? Guess which one will be left out first? In the end it’s the camera you’ve got with you that counts, and my bet is that in the not too distant future that will be a camera phone. The digicam will be relegated to a drawer and only used on those occasions when the camera phone either doesn’t have the capability – like a long zoom to capture little Wendy playing in her soccer match – or when it’s a “special occasion” like a birthday when there is the probability of bigger enlargements being made.
For the moment I’m keeping my digicam as a carry-around. But within a few years I suspect for the majority it will be a mobile phone camera.
February 6th, 2008
Digital camera technology installed on locomotives to enhance public safety
Grand Island Independent, NE
OMAHA Union Pacific plans to install more than 1,600 Track Image Recorders (TIRs) aboard locomotive cabs this year to digitally record a view of the track, crossings and signals directly in front of a train as it travels over the rails.
“Installation of TIR equipment is another step in Union Pacific’s commitment to employee and public safety,” said Bob Grimaila, vice president for safety and environment. “This equipment is a valuable tool in assisting with the investigations of pedestrian or grade-crossing incidents.”
UP began installing TIRs in 2005 and has more than 4,000 locomotives equipped with TIRs out of its over-the-road locomotive fleet of more than 6,000 locomotives. More than 85 percent of Union Pacific’s road freight trains now have a TIR-equipped locomotive in the lead.
A small camera is mounted inside the locomotive cab, looking down the track and providing the train crew’s point of view. A microphone is mounted outside to record the locomotive’s air horn and bell. The video image disk can record up to five days of information.
TIR video images and locomotive event recorder data can be synchronized to provide detailed information about what occurred prior to an incident.
“Now, when a train crew gets on board a locomotive and they see a TIR camera, they know that technology is there to help us help them to have a safer trip,” said Grimaila.
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February 4th, 2008
Fujifilm FinePix F100fd Digital Camera Announced
eCoustics.com (press release)
FinePix F100fd Packs 12MP Super CCD, ISO Equivalency Speeds Up To 12800 and Face Detection Technology 3.0
Following the long line of award-winning F-Series models, FUJIFILM U.S.A., Inc., announced its latest and greatest, the FinePix F100fd digital camera.
Combining a 12-MegaPixel, 8th Generation Super CCD with a powerful Fujinon 5.0x wide angle optical zoom lens and a 2.7″ high-resolution 230,000 pixel wide angle view LCD, the FinePix F100fd is among Fujifilm’s finest compact digital cameras. As with previous F-Series models such as the FinePix F31, F40fd and F50fd, the F100fd is a powerful, feature-packed compact digital camera aimed at consumers looking for something well above the average model.
It offers the most advanced technologies available, including Wide Dynamic Range, Dual Image Stabilization, Face Detection 3.0 Technology with an Automatic Red Eye Removal function and ISO settings of up to an unprecedented ISO 12800 – so missing great shots is not an option.
“The FinePix F100fd demonstrates how consumers can ultimately benefit from Fujifilm’s investment in professional photography,” said David Troy, senior product manager, Consumer Digital Cameras, Electronic Imaging Division, FUJIFILM U.S.A., Inc. “The features packed into this camera like ISO ranges and wide dynamic ranges are unprecedented for a compact consumer model – they first appeared in our Professional line. Combine these advances with our new Face Detection 3.0′s faster, 360 degree detection range and Dual Image Stabilization and you have the ultimate consumer digital photography experience.”
Wide Dynamic Range
Dynamic Range, or the gradations of light that exist between bright and dark in any setting, can be easily detected by the human eye, but not by most cameras. Fujifilm expanded dynamic range capture functionality on the professional imaging side with its FinePix S3 Pro digital camera. The technology, now perfected in the FinePix S5 Pro camera, has been brought to the consumer in the FinePix F100fd. Through a combination of advances in Fujifilm’s new Super CCD HR VIII and RP (Real Photo) Processor III, this wide dynamic range dramatically broadens tonal capability and guarantees exceptional rendition of photos with both bright highlights and dark shadows. This expansion of sensitivity captures greater detail, and subtle nuances of brightness and tonality that bring the photo closer to what the human eye actually sees.
Faster Face Detection 3.0
The FinePix F100fd is also equipped with Fujifilm’s proprietary Face Detection 3.0 Technology featuring Automatic Red Eye Removal. As with the original version of Face Detection, it can detect up to 10 human faces in a scene in as little as .036 seconds, automatically correcting focus, exposure, and white balance, regardless of where subjects are located within the frame. Now, however, the FinePix F100fd is able to identify faces at much more extreme camera angles than before. The camera can register faces with up to 90O movement in either direction for profiles, and up to 360O. After the shot is taken, it instantly corrects red eye and then saves both the original and the corrected image file… automatically
The FinePix F100fd features Fujifilm’s Dual Image Stabilization mode which combines a mechanically stabilized Super CCD sensor with high ISO sensitivities for total anti-blur protection. The combination of these technologies reduces the “blur” effect from the photographer’s hand-shake and subject movement even further to provide the highest quality digital pictures yet, with sharp, clean and clear results. Thanks to the 8th generation FinePix Super CCD-HR chip and the RP Processor III, the Finepix F100fd can utilize ISO settings of up to ISO 3200 at full resolution and an amazing ISO 12800 at reduced resolution1, capturing stunning images even in low light while preserving the natural color and clarity of the shot.
In addition to these advances, the FinePix F100fd possesses a number of other impressive features:
Dual Image Stabilization: Combines mechanical image stabilization with the effects produced with higher ISO.
Continuous Shooting: Top/Final 3 at 1.7 frames per second at full resolution and Top/Final 12 at 5 frames per second at 3-MegaPixels.
High Speed Playback: No waiting for high resolution images to load during play back. The FinePix F100fd can display images at full resolution at 10 frames per second.
Portrait Enhancer Mode: Mimicking a professional photo studio setting, by using Face Detection and preset camera settings, Portrait Enhancer minimizes fine lines and small skin blemishes for smooth, natural looking portraits.
Dual Shot Mode: In this selectable mode, the FinePix F100fd quickly shoots two images in rapid succession – one with the flash and one without – and saves both. This convenient function lets users perform a comparison at their convenience and select the most pleasing image.
Special Scene: The FinePix F100fd has 16 pre-programmed scenes, including a special underwater scene mode for use with a special underwater casing. Also, a Blog mode that automatically reduces the size of copied images for easy posting to a blog, Web page or email attachment.
Micro Thumbnail: A playback feature that allows for viewing an index-style print on the LCD. The FinePix F100fd will show up to 100 images in micro form, then the control buttons are used to select specific images. An innovative wheel navigation dial makes it easy to quickly find a single image by being able to jump to particular segments of images in the time sequence.
IrSimpleâ„¢: Infrared communication via IrSimpleâ„¢ technology for fast, easy wireless image transfer to a compatible device.
xD / SD / SD-HC Compatible slot: The FinePix F100fd features a “xD/SD Compatible slot” which accepts not only Fujifilm’s traditional xD-Picture Cards but also Secure Digital (SD) and SD-High Capacity/SD-HC cards too.
The FinePix F100fd will debut in March 2008 at a retail price of $379.95.
About FUJIFILM U.S.A., Inc.
FUJIFILM U.S.A. Inc., is a marketing subsidiary of FUJIFILM Corporation, Tokyo, Japan, providing digital and analog photographic Imaging Systems, Recording/Storage Media and Motion Picture Film products and services to consumers, professionals and businesses. For more information on Fujifilm U.S.A. products, customers can call 800-800-FUJI or visit www.fujifilmusa.com.
February 4th, 2008
Kodak Announces New 10-Megapixel High Zoom Digital Camera that Places Advanced Features and High Performance into the Palm of Your Hand
FOXBusiness
CNW Group
Comtex
LAS VEGAS, Jan. 31, 2008 (Canada NewsWire via COMTEX) — Feature-Packed Compact Camera Makes It Easy to Take Pictures in Almost
Any Environment
At the Photo Marketing Association Show (PMA), Eastman Kodak Company (NYSE:EK) today announced the latest addition to its award-winning line of KODAK EASYSHARE Consumer Digital Cameras. The KODAK EASYSHARE Z1012 IS Digital Camera – with 10-megapixel resolution and 12X optical zoom with optical image stabilization – brings an advanced, high performance feature set to a compact size that is ready to go anywhere your life takes you.
“With the newest addition to the EasyShare family, Kodak is making it even easier for consumers to capture life’s high performance memories,” said John Blake, general manager, Digital Capture & Imaging Devices and Vice President, Eastman Kodak Company. “The smart technology found on the KODAK EASYSHARE Z1012 IS enables consumers to capture life’s most important moments and seamlessly bring their pictures to life on vivid prints, HD displays and wireless picture frames.”
The KODAK EASYSHARE Z1012 IS features a robust suite of exclusive features that capture detailed pictures in the most challenging settings, yet its compact body can fit in the palm of your hand. The Z1012 IS is packed with smart features that make great picture taking incredibly simple:
<<
- Enhance your action shots with best in class* click-to-capture
speed and auto-focus accuracy.
- Kodak's innovative smart capture technology automatically identifies
the scene and adjusts the settings to deliver a great picture in
almost any environment.
- Capture the details in low light conditions and fast action
situations with high ISO (up to 3,200(xx)).
- Get creative with advanced settings including program, aperture and
shutter priority, as well as full manual mode (PASM).
- Face detection locates faces and automatically adjusts the camera
settings.
- Express yourself with the multimedia slideshow feature: combine your
pictures with music and transition effects right on camera.>>
Kodak also recently announced the KODAK EASYSHARE V1273 and M1033 Digital Camera, the KODAK EASYSHARE Z1085 IS Digital Camera, the KODAK EASYSHARE Z1285 Zoom and the KODAK EASYSHARE Z8612 IS Zoom Digital Cameras at the Consumer Electronics show (CES) on January 7, 2007.
Your Pictures and Videos in High Definition
The Z1012 IS and all KODAK EASYSHARE Digital Cameras announced at CES offer HD-still capture, capturing still pictures in high definition. Viewing the HD pictures is simple, thanks to the KODAK EASYSHARE HDTV Dock. Available as an optional accessory to the KODAK EASYSHARE System, the HDTV Dock connects to your HDTV to process and display pictures from HD-enabled KODAK Digital Cameras, SD Memory Cards or USB drives to deliver an outstanding visual experience.
Pricing and Availability
The KODAK EASYSHARE Z1012 IS will retail for $299 CDN (MSRP). All KODAK Products listed in this release will be available at retail and online at Kodak.ca in June of 2008.
<<
* Among high-zoom, image stabilized digital cameras as of November
2007.
(xx) ISO 3200 available at 3 MP and less in PASM modes.>>
About Kodak Canada Inc.
For more than a century, Kodak Canada has been meeting the imaging needs of Canadians providing leading products and services, helping people better use meaningful images and information in their life and work. Today, Kodak Canada’s sales, marketing, service and support teams are committed to a digitally oriented growth strategy enabling Consumers to use Kodak’s system of digital and traditional products and services to take, print and share their pictures anytime, anywhere; Businesses to effectively communicate with customers worldwide using Kodak solutions for prepress, conventional and digital printing and document imaging; and Creative Professionals rely on Kodak technology to uniquely tell their story through moving or still images.
More information is available about Kodak Canada at www.kodak.ca.
Editor’s Note: Kodak corporate news releases are now offered via RSS feeds. Many RSS aggregators or readers, including my.Yahoo.com, NewsGator, and Google Reader, can be used to view these feeds. To subscribe, visit www.kodak.ca/go/RSS and look for the RSS symbol. In addition, Kodak podcasts are viewable at www.kodak.ca/go/podcasts. Podcasts may be downloaded for viewing on iTunes, Quicktime, or other PC-based media players. Users may also subscribe to Kodak podcasts via the iTunes store by typing “Kodak Close Up” in the search field at the top of the iTunes Store window.
Kodak and EasyShare are trademarks of Eastman Kodak Company.
2008
SOURCE: Kodak Canada Inc.
February 1st, 2008
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